2011

Blassnigg, M. (2011) ‘Intuition and Imagination at the Convergence of Arts, Science, Popular Culture and Commercial Application: Clues from the Past’, in Kluszczynski, R. (ed.) W strone trzeciej kultury. Koegzystencja sztuki, nauki i technologii. Towards the Third Culture. The Co-existence of Art, Science and Technology. Gdansk: Laznia CCA, pp. 66-77.

Blassnigg, M. (2011) ‘A convergência da Arte e Ciência: Pistas do Passado’ (transl. by Cleomar Rocha and Júlio César dos Santos), Z Cultural, Revista Virtual do Programa Avançado de Cultural Contemporânea, Ano VII(02), ISSN 1980-9921. [Online]. Available at: http://revistazcultural.pacc.ufrj.br/a-convergencia-da-arte-e-ciencia-pistas-do-passado-de-martha-blassnigg/ (Accessed: 9 January 2012).

Doove, E. (2011) ‘Inside Jokes ? Using Humor to Reverse-Engineer the Mind’ [review; book by Hurley, M., Dennett, D. and Adams, R.], Leonardo Reviews. [Online]. Available at: http://www.leonardo.info/reviews/aug2011/doove_hurley.php (Accessed: 16 December 2011).

Doove, E. (2011) ‘Koen Vanmechelen ? The chicken and its audience’, Plastik, Art & Science, #02. [Online]. Available at: http://art-science.univ-paris1.fr/document.php?id=475 (Accessed: 16 December 2011).

Doove, E. (2011) ‘We Can Change the Weather – 100 Cases of Changeability’ [review; book edited by Wynants, M.], Leonardo Reviews. [Online]. Available at: http://www.leonardo.info/reviews/jan2011/wynants_doove.php. (Accessed: 16 December 2011).

Griffin, J. (2012) ‘Moon Vehicle: Reflections From an Artist-Led Children’s Workshop on the Chandrayaan-1 Spacecraft’s Mission to the Moon’, in Leonardo, 45(4). [in press]

Currò, D., Op den Kamp, C. and Ruedel, U. (2012) ‘Towards a More Accurate Preservation of Color: Heritage, Research and the Film Restoration Laboratory’, in Brown, S. (ed.) Color and the Moving Image, AFI Film Reader on Color, New York: Routledge. [in press]

Op den Kamp, C. (2012) ‘Reimagining the Archive’ [conference review], The Moving Image, 11(2). [in press]

Op den Kamp, C. (2011) ‘Abandoned Images. Film and Film’s End’ [book review], Historical Journal of Film, Radio and Television, 31(2), pp. 297-299.

Punt, M. (2012) ‘Image, Light and the Passage to the Semi-Material Object’, in Blassnigg, M. (ed.) Light, Image, Imagination: The Spectrum Beyond Reality and Illusion. Amsterdam: Amsterdam University Press. [in press]

Punt, M. (2011) ‘Grinding A Ridge’, in Kluszczynski, R. (ed.) W strone trzeciej kultury. Koegzystencja sztuki, nauki i technologii. Towards the Third Culture. The Co-existence of Art, Science and Technology. Gdansk: Laznia CCA, pp. 110-123.

Punt, M. (2011) ‘Combinando Tecnologias: primeiro cinema, cultura popular e o imaginário tecnológico’ (transl. by Cleomar Rocha and Júlio César dos Santos), Z Cultural, Revista Virtual do Programa Avançado de Cultural Contemporânea, Ano VII(02), ISSN 1980-9921. [Online]. Available at: http://revistazcultural.pacc.ufrj.br/combinando-tecnologias-primeiro-cinema-cultura-popular-e-o-imaginario-tecnologico-michel-punt/ (Accessed: 16 December 2011).

Rocha, M. (2011) ‘Cognitive Embodied e Enaction são reais perspectivas para o Design de Interação?’ Revista Z Cultural. Revista Virtual do Programa Avançado de Cultura Contemporânea da UFRJ, Vol. 7(2) [Online]. Available at: http://revistazcultural.pacc.ufrj.br/cognitive-embodied-e-enaction-sao-reais-perspectivas-para-o-design-de-interacao-de-marcio-rocha/ (Accessed: 12 December 2011).

Vines, J., Blythe, M., Dunphy, P. and Monk, A. (2011) ‘Eighty Something: Banking for the Older Old’, in Proceedings of the 25th BCS Conference on Human-Computer Interaction, Newcastle upon Tyne, UK.

Monk, A., Dunphy, P., Olivier, P., Vines, J. and Blythe, M. (2011) ‘New Approaches to Banking for the Older Old’, in Proceedings of Digital Engagement 2011, Newcastle upon Tyne, UK.

Zics, B. (2011) ‘Toward an Affective Aesthetics: Cognitive-Driven Interaction in the Affective Environment of the Mind Cupola’, Leonardo: Art, Science and Technology, 44(1), pp. 30-37.

Zics, B. (2011) ‘Engineering Experiences in Biofeedback Interfaces: Interaction as a Cognitive Feedback Loop’, Journal of Visual Art Practice, 10(1). DOI: 10.1386/jvap.10.1.71_1.

 

Other Research Output

Amadeu, F. (2011) ‘Field Research’, Rubber Community, Assis Brasil, Acre, Brazil, 11-18 December.

Blassnigg, M. (2011) Plenary presentation [HERA/TEF expert seminar ‘Play and Prosume’, Kunsthalle Vienna, Austria]. 13 July.

Blassnigg, M. (2011) Invited Participation at the HERA Joint Research Programme Workshop Humanities with Impact, Zagreb, Croatia, 30 June-1 July.

Blassnigg, M. (2011) ‘Light and Imagination at the Convergence of Art, Science, Popular Culture and Commercial Application: Clues from the Past’ [presentation]. Toward a Third Culture. The Coexistence of Art, Science and Technology conference. Laznia Centre for Contemporary Art, in collaboration with Gdansk History Museum / Art Line Project. Gdansk, Poland, 23-25 May.

Blassnigg, M. (2010/2011) ‘Time, Memory in Action and Shared Consciousness: The Participatory Experience of Audio-Visual Mediation’ [workshop]. Institute for European Ethnology, Humboldt University, Berlin, Jan/Nov.

Cachão, R. (2011) ‘Day-Night Cosmologies’. Heavenly Discourses: Myth, Astronomy and Culture Conference, University of Bristol, UK, 15 October.

Doove, E. (2011) Platform P at the Duke [exhibition curation]. Duke of Cornwall Hotel, Plymouth, UK, 4-6 November.

Doove, E. (2011) Thomas Nollet & Hilde Huyghe – Designing the Terraced House [exhibition curation]. Roland Levinsky Building, Plymouth University, UK, 24 February-11 March.

Drayson, H. and Hudson, B. (2011) [Shokku A/V] ‘Live improvised performance using processing’, Open Socket at Extended Play Conference. Plymouth, UK, 5 November.

Egbe, A. (2011) ‘National Review of Live Art Archive’ [workshop and presentation]. CAiRO (Curating Artistic Research Output) Summer School, University of Bristol, UK, 29-30 June.

Egbe, A. (2011) ‘National Review of Live Art Archive’. Re-make/Re-model: Performing Documents, Spike Island Bristol, UK, 27 September.

Egbe, A. (2011) Deptford|Tributes [exhibition]. Foconorte Festival, Santander, Spain, July.

Egbe, A. (2011) Deptford|Tributes [exhibition]. Deptford X Festival, London, UK, September/October.

Griffin, J. (2011) ‘Satellite Stories workshop’ for exhibition Camps Invisible: Geografies de les ones radio [workshop leader], Arts Santa Monica, Barcelona, Spain, 6 November.

Griffin, J. (2011) Orbitando Satélites [exhibition]. Laboral Centro de Arte y Creación Industrial, Gijon, Spain, 15 July-30 October.

Griffin, J. (2011) Visiting Researcher presentation. Manipal Centre for Philosophy and Humanities, Manipal University, Karnataka, India, 14 September.

Griffin, J. (2011) ‘Orbitando Satélites’ [workshop leader] Laboral Centro de Arte y Creación Industrial, Gijon, Spain, 10-14 May.

Griffin, J. (2011) Secret Satellites [exhibition]. Belfast: Belfast Exposed Gallery, Northern Ireland, 18 March-30 April.

Massey, L. (2011 [2007]) Cabaret of Complexity: Blind [performance]. Maus Hábitos, Porto, Portugal, October.

Massey, L. (2011) Luke Daniels, The Mighty Box [CD]. Reading: Gael Music [cover design].

Massey, L. (2011) John Norris Wood NATURAL FORMS Drawing Prize and public exhibition [exhibition management and curation]. RCA Courtyard Galleries, UK, 16-20 May.

Massey, L. (2011) Man Group plc Charitable Trust Drawing Prize and public exhibition [exhibition management and curation]. RCA Courtyard Galleries, UK, 4-8 May.

Op den Kamp, C. (2011) ‘Taking Stock’ [panel presentation ‘The Current and Future State of Moving Image Archival Education’]. Association of Moving Image Archivists (AMIA) Annual Conference, Austin, TX, USA, November 18.

Op den Kamp, C. (2011) ‘Copyright Law and the Re-Distribution of Archival Film’ [PhD research project work-in-progress presentation]. IX MAGIS – Gorizia International Film Studies Spring School, Italy, April 11.

Punt, M. (2011) ‘Between Worlds: Beyond Asimo: Transdisciplinarity and Technology’ [presentation], Transdisciplinary Workshop, Automoni Cenatar – ACT. Cakovec, Croatia, 23 September.

Thompson, S. (2011) ‘Design is Dead Get Over It!’ [public lecture]. Cardiff PechaKucha, UK, 7 October.

Transtechnology Research (2011) ‘Art & Science – Synergy of Technology and Art in the City Spaces’ [workshop]. Erasmus IP, Gdansk, Poland, 9-22 October. For more information, see page 21.

Woodward, M. (2011) ‘Selling the Immaterial: Avant-garde Practices and Commercial Advertising Forms’. TEF Expert Seminar: Play and Prosume, Kunsthalle Project Space Karlsplatz, Vienna, Austria, 13 July.

Zics, B. (2011) ‘Eye Gaze as a Vehicle for Aesthetic Interaction: Affective Visualisation for Immersive User Experience’ [presentation]. 17th International Symposium on Electronic Arts (ISEA). Sabanci University, Istanbul, Turkey, 15 September.

Zics, B. (2011) ‘The Concept of Cognitive Feedback Loop: Applying Eye Tracking and Affective Visualisation for New States of Consciousness’ [presentation]. Toward a Science of Consciousness: Brain, Mind, Reality, Stockholm University, Stockholm, Sweden, 4 May.

Zics, B. (2011) ‘The Mind Cupola V2: Interactive Installation’ [presentation]. HCI 2011: The 25th BCS Conference on Human-Computer Interaction, Culture Lab, Newcastle: BSC and Newcastle University, UK, 7 July.