2012/13

Publications (and in press)

Blassnigg, M. and Punt, M. (2013) ‘Transdisciplinarity: Challenges, Approaches and Opportunities on the Cusp of History’. SEAD: http://seadnetwork.wordpress.com/seed-questions-for-sead-report/

Blassnigg, M. and Punt, M. (2013) ‘Transdisciplinarnost: izzivi, pristopi in prilo?nosti naragu zgodovine’/ ‘Transdisciplinarnost: Izazovi, pristupi i mogucnosti na povijesnom vrhuncu’ / ‘Transdisciplinarity: challenges, approaches and opportunities at the cusp of history?, trans. Ana Flac, Helena Fo?njar, Sne?ana ?tabi. In: (NE)ODVISNI (NE)ZAVISNI INDEPENDENT. (eds.) Sne?ana ?tabi, ?iga Dobnikar, Dejan Pestotnik. Slovenia: KID / ACE KIBLA, pp.14-25 / 84-95 / 151-163.

Blassnigg, M. et al. (eds.) (2013) Light Image Imagination. Amsterdam: Amsterdam University Press.

Blassnigg, M. (2013) The Delightful(l) Mind: A Case for Aesthetic Intuition. In: Light Image Imagination. Blassnigg, M. et al. (eds.), Amsterdam: Amsterdam University Press.

Blassnigg, M. (2013) ‘Free Play’ between Science, Art and Conjuring: Advertising and the Knowing Prosumer, In: Jahrmann, M., Felderer, B. (eds). Play and Prosume. Nuernberg: Verlag fuer Moderne Kunst, pp. 49-57.

Blassnigg, M. (2012) ‘A Boatload of Wild Irishmen, by Mac Dara Ó Curraidbin’ Director; Brian Winston, Scriptwriter. First Run/Icarus Films, Brooklyn, NY, 2010 [film review]. At Leonardo Re-views, December. ISSN 1559-0429 http://leonardo.info/reviews/jan2013/curraidbin-blassnigg.php

Doove, E. (2013) ‘Dancing Around the Bride’ [review; book and exhibition] Leonardo Reviews. [Online]. Available at: http://leonardo.info/reviews/may2013/dancing-doove.php

Doove, E. (2013) ‘Captain Cap (vol.1)’ [review; book by Alphonse Allais; translated from French by Doug Skinner] Leonardo Reviews. [Online]. Available at: http://leonardo.info/reviews/ mar2013/allais-doove.php (Accessed 13 May 2013).

Doove, E. (2013) ‘A Natural History of Laughter’ [review: book by Jacques Mitsch], Leonardo Reviews. [Online]. Available at: http://leonardo.info/reviews/feb2013/mitsch-doove.php (Accessed 13 May 2013).

Doove, E. (2013) ‘The Islands of Benoît Mandelbrot: Fractals, Chaos, and the Materiality of Thinking’ [review; book edited by Nina Samuel], Leonardo Reviews. [Online]. Available at: http:// leonardo.info/reviews/jan2013/samuel-doove.php (Accessed 13 May 2013).

Drayson, H., Review, When Biometrics Fail: Gender, Race, and the Technology of Identity by Shoshana Amielle Magnet. Leonardo April 2013, Vol. 46, No. 2: 187?189.

Griffin, J. (2012) ‘Moon Vehicle: Reflections From an Artist-Led Children’s Workshop on the Chandrayaan-1 Spacecraft’s Mission to the Moon’, in Leonardo, 45(3).

Op den Kamp, C. (2013) ‘The Greatest Films Never Seen: Audiovisual Archives and the Orphan Works Problem’, in Halbert, D. and David, M. (eds.) SAGE Handbook of Intellectual Property [forthcoming].

Op den Kamp, C. (2013) ‘Audiovisual Archives and the Public Domain: Exclusive Control, Digital Access and the Dynamics of History’, in Crisp, V. and Menotti, G. (eds.) (2013) Besides the Screen: The Distribution, Exhibition and Consumption of Moving Images. London: Open Press [in press].

Currò, D., Op den Kamp, C. and Ruedel, U. (2012) ‘Towards a More Accurate Preservation of Color: Heritage, Research and the Film Restoration Laboratory’, in: Brown, S. (ed.) Color and the Moving Image: History, Theory, Aesthetics, Archive. New York: Routledge, pp. 219-229.

Punt, M. (2013) Start Playing, In: Jahrmann, M., Felderer, B. (eds). Play and Prosume. Nuernberg: Verlag fuer Moderne Kunst, pp. 43-48.

Punt, M. (2013) ‘Image, Light and the Passage to the Semi-Material Object’, In: Blassnigg, M et al. (eds) Light Image and Imagination. Amsterdam: AUP. pp. 193-214.

Rocha, M. and C. Rocha. (2013) Design de Interação e Cultura Ficcional ? Paradigmas, tendências e possibilities /Interaction design and fiction – Culture Paradigms, trends and possibilities. In: Poéticas Interativas. Estudos de Interfaces Computacionais. (Series Coleção Fast Forward) Ed. MediaLab/ UFG e Funape. Goiania, Goias. Brazil, pp. 08-25, pp. 106-121. Available in Portuguese and in English at: http://www.medialab.ufg.br/site/wp-content/uploads/2013/05/Livro-FFW.pdf

Woodward, M. (2013) ‘A Monstrous Rhinoceros (As From Life): The Epistemological Role of the Enacted Pictorial Image’. in: Yung, S.T, and Peibalga, A. Designing the Relationship between Humans and Technology. Cambridge Scholars Publishing [in press].

Woodward, M (2013) ‘A Staging and Choreography of Theatrical Play: A Brechtian Aesthetic for Popular Culture.’ In: Jahrmann, M., Felderer, B. (eds). Play and Prosume. Nuernberg: Verlag fuer Moderne Kunst, pp. 63-65.

Woodward, M (2013) ‘An Electrical Deep Time of the Modern Imagination’. In: L|R|Q 2.02 (Leonardo Reviews Quarterly). MIT Press Journals, pp. xi-xii.

Woodward, M. (2012) ‘Artifacts, Entanglements & Deep History: A Reflection on the Sublime in Art and Science’. In: L|R|Q 2.01 (Leonardo Reviews Quarterly). MIT Press Journals, pp. xix-xy.

 

Other Research Output 

Blassnigg, M. (2013) ‘Advertising, Science, Collecting and the Sublime’. Public lecture, symposium ‘Collecting, advertising and the Public: in Search of the Sublime’, part of the HERA funded exhibition programme for the project ‘Technology, Exchange and Flow: Artistic Media Practices and Commercial Application’ at the ‘Play and Prosume: Technology, Exchange and Flow’, Kunsthalle Vienna, 15 March 2013.

Blassnigg, M. (2013) ‘The Remembrance of Things Present: Projection, Recollection and Seriality’. Public lecture, symposium ‘Technology, Advertising and the Avantgarde’, part of the HERA funded exhibition programme for the project ‘Technology, Exchange and Flow: Artistic Media Practices and Commercial Application’ at the ‘Play and Prosume: Technology, Exchange and Flow’, Kunsthalle Vienna, 16 March 2013.

Blassnigg, M. and Punt, M. (2013) ‘Early Cinema and the Technological Imaginary’ Public lecture, Institute of Engineering and Technology, Plymouth University, Plymouth, UK. 16 January.

Blassnigg, M. and Punt, M. (2013) ‘Science, Technology and Entertainment: Transdisciplinarity in Practice’. Presentation at the annual conference of the Cognition Institute, Plymouth University, ‘The Lure of the New’, March 20-22, 2013.

Blassnigg, M., Punt, M. and Woodward, M. (2013). HERA (Humanities in the European Research Area) Final conference, British Library, London, 30 May.

Blassnigg, M. and Loch, C. (2013). Introduction and Video Presentation ‘Advertising the Sublime’, a video documentation of the HERA funded Knowledge Transfer Event (Hilversum, Amsterdam 19-20 April 2013) at ‘The Time and Place: Culture and Identity in Today’s Europe’, King’s Place, London, 1 June.

Cachão, R. (2013) ‘The Hollow Body and the Mouth of the Monster’ [poster presentation]. Lure of the New, Cognition Institute launch and conference, University of Plymouth, Plymouth, UK. 21st March.

Doove, E. and Woodward, M. (2013) Joint paper accepted at Deleuze 2013 Conference, Lisbon, 8-10 July.

Doove, E. (2013) ‘Infra-mince, Laughter and Cybernetics – Exploring the Curatorial as Creative Act’ [poster presentation]. Lure of the New, Cognition Institute launch and conference, University of Plymouth, Plymouth, UK. 21st March.

Doove, E. (2012) ‘On dialogue and the nonsensical’ [Research seminar]. Plymouth College of Art, Plymouth, UK. 16 May.

Drayson, H., (2013) ‘Outsider Bodies; Body Production and the Affective Dimensions of Instrumentation’ [poster presentation]. Lure of the New, Cognition Institute launch and conference, University of Plymouth, Plymouth, UK. 21st March.

Egbe, A. (2012) ‘Towards a structural materialist Archive: the (im)material aspects of duplication’. Channeling the Film Archive: Policy, Material and (Re) use Panel, Besides the Screen, Conference, Goldsmiths College, University of London (1-2 December).

Egbe, A. (2013) ‘Notions on a radical moving image archive practice as a problematic’ [poster presentation]. Lure of the New, Cognition Institute launch and conference, University of Plymouth, Plymouth, UK. 21st March.

Griffin, J. (2012) ‘Artistic Practice as a Means for Recognising the Value of Autonomous Spacefaring Activities’. [presentation] 63rd International Astronautical Congress, Naples, Italy. International Astronautical Federation. 5 October.

Griffin, J. (2012) ‘The Incorporation of Transdisciplinary Thinking into the Development of Hitchhiking Payloads.’ 63rd International Astronautical Congress, Naples, Italy. International Astronautical Federation. 5 October.

Griffin, J. (2013) ‘Accessing Imaginaries: drawing, seeing and not-thinking’. [workshop] Research, Creativity and Business 2 conference. The Culture Capital Exchange, Cass Business School, London. 30 April.

Griffin, J. (2012) ‘Re-imaging space technology: Encounters with Chandrayaan-1 through art-practice perspectives’ [invited speaker]. Centre for Contemporary Studies, Indian Institute of Science, Bangalore, India. 15 March. Podcast available http://ces.iisc.ernet.in/hpg/ragh/ccs/podcasts/ podcasts.html [Accessed 28 May 2013].

Griffin, J. (2013) ‘Surreptitious Networks’-professional development workshop [workshop and presentation]. CRUMB-Curatorial Resource for Upstart Media Bliss, University of Sunderland and Pixel Palace, Newcastle. 20 May.

Grimaldi, M. (2013) ‘The Optical Illusion of the Third Dimension in Graphical Representation and Virtual Projections’ [poster presentation]. Lure of the New, Cognition Institute launch and conference, University of Plymouth, Plymouth, UK. 21st March.

Knight, J. (2013) Tyller Vyth: 16mm film workshop [artist led workshop] Cinestar and no.w.here, St Ives. 11-12th May.

Knight, J. (2013) Introduction to Photopolymer Printing [artist led workshop] Newlyn School of Art, Newlyn 22-24 July.

Knight, J. (2013) Photographic documentation of ‘Advertising the Sublime’, HERA Knowledge Exchange Event, Netherlands Institute for Sound and Vision, Hilversum and EYE Film Institute, Netherlands, Amsterdam. (Brochure available at: http://trans-techresearch.net/tef/).

Knight, J. (2013) ‘The Frisson: A Unified Experience of Simultaneity’ [poster presentation]. Lure of the New, Cognition Institute launch and conference, University of Plymouth, Plymouth, UK. 21st March.

Loch, C. (2013) ‘Looking On’: Video documentation of ‘Advertising the Sublime’, HERA Knowledge Exchange Event, Netherlands Institute for Sound and Vision, Hilversum and EYE Film Institute, Netherlands, Amsterdam. (Video available at: http://trans-techresearch.net/tef/).

Loch, C. (2013) ‘Geopartitura’ [poster presentation]. Lure of the New, Cognition Institute launch and conference, University of Plymouth, Plymouth, UK. 21st March.

Malina, R., Punt, M., Sarukkai, S. and Woodward, M. (2012) (Editorial / Podcast) MIT Press Journals Podcasts Series, No 18: Artifacts, Entanglements & Deep History: A Reflection on the Sublime in Art and Science. http://www.mitpressjournals.org/page/podcast_episode18_LEON (From L/R/Q 2.01 MIT Press).

Massey, L. (2013) Fear; RCA Drawing Studio performances and workshops.

Massey, L. (2013) Fear As Far As The Eye Can See And A Bit Further; Rednetic Recordings ?One Point Three – Archive B?. http://rednetic.bandcamp.com/album/one-point-three

Massey, L. (2012/13) http://fearinthegarden.com/; Digital archive of Fear.

Massey, L. (2013) ‘Remote telematic musical performance, an antidote to Eurovision’, with Doctor H Alvelos; Maus Habitos Porto.

Massey, L. (2013) ‘Analogue Synth’ Derek Bailey book launch, Café Oto http://www.cafeoto.co.uk/derek-bailey-ben-watson-book-launch.shtm

Meyer, M. P. (2013). Panel discussion on Knowledge Exchange and Impact, HERA (Humanities in the European Research Area) Final conference, British Library, London, 30 May.

Op den Kamp, C. (2013) ‘Recycled Images: Found Footage Filmmaking Practices’ [Invited Talk/ Workshop]. XI MAGIS International Film Studies Spring School, Gorizia, Italy. 21 March. (with Annabelle Shaw, BFI)

Op den Kamp, C. (2013) ‘Found Footage, Legal Provenance and the ‘Aesthetics of Access” [Invited Talk]. XI MAGIS International Film Studies Spring School, Gorizia, Italy. 21 March.

Op den Kamp, C. (2013) ‘Midway to the Sublime Island’, Collecting, Advertising and the Public: In Search of the Sublime?, Play & Prosume, schleichender Kommerz und schnelle Avantgarde, Vienna, Austria. 15 March.

Op den Kamp, C. (2013) ‘The Greatest Films Never Seen: Audiovisual Archives and the Orphan Works Problem/De Overval, 10 years later’, XX International Film Studies Conference, Udine, Italy. 13 March.

Op den Kamp, C. (2012) ‘Found Footage, Legal Provenance and ‘Aesthetics of Access”, Besides the Screen Symposium, Goldsmiths College, London, UK. 2 December.

Punt, M. (2013) ‘The Avant-garde leaving the factory: early cinema and persuasion’. Public lecture, symposium ‘Technology, Advertising and the Avantgarde’, part of the HERA funded exhibition programme for the project ‘Technology, Exchange and Flow: Artistic Media Practices and Commercial Application’ at the ‘Play and Prosume: Technology, Exchange and Flow’, Kunsthalle Vienna, 16 March 2013.

Punt, M. (2013) Introduction to the HERA/TEF Knowledge Transfer project ‘Advertising the Sublime’. Public lecture, symposium ‘Collecting, advertising and the Public: in Search of the Sublime’, part of the HERA funded exhibition programme for the project ‘Technology, Exchange and Flow: Artistic Media Practices and Commercial Application’ at the ‘Play and Prosume: Technology, Exchange and Flow’, Kunsthalle Vienna, 15 March 2013.

Rocha, M. and Woodward, M. (2013) ‘Transtechnology Research’ [Poster design for collective research presentation]. Lure of the New, Cognition Institute launch and conference, University of Plymouth, Plymouth, UK. 21st March.

Rocha, M. (2013). ‘Mind, Bodies and Machines – To the early automata to the contemporary intelligent being’ [Poster presentation]. Lure of the New, Cognition Institute Conference. Plymouth University, Plymouth, UK. 21st March.

Woodward, M. (2012) ‘Screening a Puff: Advertising Film and the Enduring Forms of Modernism’. TEF Expert Seminar: Screening the Sublime, Jill Craigie Cinema, University of Plymouth. 21 January.

Woodward, M. (2013). ‘An Enacted Choreography Between Perciever and Percieved’ [Poster presentation]. Lure of the New, Cognition Institute launch and conference, University of Plymouth, Plymouth, UK. 21st March.