2014/15

Media coverage:

Peres, N. (2015). Wired: Patient VR puts doctors in your shoes, March 2015: http://www.wired.co.uk/news/archive/2015-03/26/patient-vr-uk-hospital

Peres, N. (2015). South Devon Healthcare NHS Foundation Trust News:
Torbay Hospital first to use virtual reality technology to improve patient experience: http://www.sdhct.nhs.uk/about-us/news-and-publications/press-release/2015/04/torbay-hospital-first-to-use-virtual-reality-technology-to-improve-patient-experience/

Peres, N. (2015). ITV news, 10 April 2015: New technology allows doctors to see hospitals through the eyes of a patient: http://www.itv.com/news/westcountry/update/2015-04-10/new-technology-allows-doctors-to-see-hospitals-through-the-eyes-of-a-patient/

Joint publication as part of the doctoral training:

M.Punt and M.Blassnigg, ed., Media Archaeology and Cognition – Transtechnology Reader 2014/15, Plymouth: Transtechnology Research, pp. 58-66.

Individual publications:

Blassnigg, M. (2014). Mediation and Cognition: Perception as a Matter of Choice. In: M. Punt and M. Blassnigg, ed., Media Archaeology and Cognition – Transtechnology Reader 2014/15, Plymouth: Transtechnology Research, pp. 58-66.

Blassnigg, M. (2014). The Intelligence of a Machine, by Jean Epstein, Univocal Publishing, Minneapolis, 2014. Leonardo Reviews, [online] December. ISSN 1559-0429. Available at: http://leonardo.info/reviews/dec2014/epstein-blassnigg.php

Catanese, R., Edmonds, G., & Lameris, B. (2015). Hand-Painted Abstractions: Experimental Color in the Creation and Restoration of Ballet mécanique. The Moving Image, Vol. 15 (1), University of Minnesota Press [forthcoming].

Doove, E. (2015). Other Planes of There: Selected Writings by Renée Green. Leonardo Reviews, [online] July. Available at: http://leonardo.info/reviews/july2015/green-doove.php

Doove, E. (2015). How Reading is Written – A Brief Index to Gertrude Stein. Leonardo Reviews, [online] May. Available at: http://leonardo.info/reviews/may2015/lorange-doove.php

Doove, E. (2015). Rays Media Collective: Casebook. Leonardo Reviews, [online] February. Available at: http://leonardo.info/reviews/feb2015/maranda-doove.php

Doove, E. (2015). The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925–1941. Leonardo Reviews, [online]. Available at: http://leonardo.info/reviews/jan2015/jolle-doove.php

Doove, E. (2014). TaTa Dada: The Real Life and Celestial Adventures of Tristan Tzara‘. Leonardo Reviews, [online] December. Available at: http://leonardo.info/reviews/dec2014/hentea-doove.php

Doove, E. (2014). Your Everyday Art World. Leonardo Reviews, [online] October. Available at: http://leonardo.info/reviews/oct2014/relyea-doove.php

Doove, E. (2014). Poet as Machine, on Calvino’s Cybernetics and Ghosts. In: M.Punt and M. Blassnigg, ed., Media Archaeology and Cognition – Transtechnology Reader 2014/15, Plymouth: Transtechnology Research, pp. 150-156.

Edmonds, G. (2015). Vitascope Movie-Maker: a ludic historiography. In: A. van den Oever and G. Fossati, eds. Exposing the Film Apparatus: The Film Archive as a Research Laboratory. Amsterdam: Amsterdam University Press [forthcoming].

Edmonds, G. (2014). Reading ‘Hand-powered Mentalism’. In: M.Punt and M. Blassnigg, ed., Media Archaeology and Cognition: Transtechnology Research Reader 2014/15. Plymouth: Transtechnology Research, pp. 120-134.

Ellis, P. 2014. Rethinking Media Archaeological Reenactment. In: M.Punt and M. Blassnigg, ed., Media Archaeology and Cognition: Transtechnology Research Reader 2014/15. Plymouth: Transtechnology Research, p. 102-106

Griffin, J. (2015). Reflections on the Authorship of Space Technology. Space Policy, DOI: 10.1016/j.spacepol.2015.06.001 [in press].

Griffin, J. (2014). Seeing Chandrayaan: Large-Scale Technology and Critical Intimacy. In Circulation (To Participate: Global and Spatial Perspectives), Vol. 1 (4, Fall), [Online]. Available at: http://incirculation.ca/griffin/ (Accessed: 11 January 2015).

Griffin, J. (2014). Hitchhiking to the Moon. In: R.L. Frenais, ed., Manifesto for a Republic of the Moon. London: The Arts Catalyst, pp. 47-74. Available at: http://www.artscatalyst.org/manifesto-republic-moon (Accessed: 6 July 2015).

Haines, A. 2014. Gnathograph. In: M.Punt and M. Blassnigg, ed., Media Archaeology and Cognition – Transtechnology Reader 2014/15, Plymouth: Transtechnology Research, pp. 94-100.

Hutchinson, J. (2015). Sara Angelucci: Provenance Unknown by Emelie Chhangur, Curator.
Leonardo Reviews, [online] October. Available at: http://leonardo.info/reviews/oct2015/chhangur-hutchinson.php

Hutchinson, J. (2014). ‘Not Me…Not Not Me’: A Restoration of Behaviour in Media Practices. In: M. Punt and M. Blassnigg, ed., Media Archaeology and Cognition – Transtechnology Reader 2014/15, Plymouth: Transtechnology Research, pp. 272-279.

Jackson, A. (2014). Re-contextualising Empathy and Consciousness within the Study of Developmental Disorders. In: M. Punt and M. Blassnigg, ed., Media Archaeology and Cognition – Transtechnology Reader 2014/15, Plymouth: Transtechnology Research, pp. 208-212.

Knight , J. (2014). Recovering the event from the moments of, and in between. In: M.Punt and M. Blassnigg, ed., Media Archaeology and Cognition: Transtechnology Research Reader 2014/15. Plymouth: Transtechnology Research, pp. 78- 87.

Op den Kamp, C. (2015). Audiovisual Archives and the Public Domain: Exclusive Control, Digital Access and the Dynamics of History. In: V. Crisp and G. Menotti, eds., Besides the Screen: Moving Images Through Distribution, Promotion and Curation. Basingstoke: Palgrave Macmillan, pp. 147–161.

Op den Kamp, C. (2014). Copyright and Film Historiography: The Case of the Orphan Film. In: M. David and D. Halbert, eds., The SAGE Handbook of Intellectual Property. London: SAGE Publications Ltd., pp. 404–417.

Op den Kamp, C. (2015). The Film Archive as a Birthplace. Found Footage, Legal Proven-ance and the “Aesthetics of Access”. ilinx, Berliner Beiträge zur Kulturwissenschaft (4) [forthcoming].

Peres, N. (2014). Thoughts on a Ceiling Canvas. In: M. Punt and M. Blassnigg, ed., Media Archaeology and Cognition – Transtechnology Reader 2014/15, Plymouth: Transtechnology Research, pp. 88-91.

Punt, M. (2015). From Soul to Mind: A History of an Idea. Leonardo, Vol. 48 (2), p.108. (editorial).

Punt, M. (2015). Cognitive Innovation and the Cognitive Turn. Leonardo, Vol. 48 (5).  (In press).

Punt, M. (2015). Review: Cine-Dispositives: Essays in Epistemology Across Media by Francois Albera and Maria Tortajada, Editors Reviewed by Michael Punt

Punt, M. (2014). Review: The Origins of Monsters: Image and Cognition in the First Age of Mechanical Reproduction 
by David Wengrow

Punt, M. (2014). Media Archaeology and Cognition. In: M. Punt and M. Blassnigg, ed., Media Archaeology and Cognition – Transtechnology Reader 2014/15, Plymouth: Transtechnology Research, pp. 11-15.

Sweeting, J. (2015). Hotline Miami and the portrayal of violence. Thumbsticks. [online] Available at: http://www.thumbsticks.com/hotline-miami-and-the-portrayal-of-violence/ [Accessed 17 Jul. 2015].

Sweeting, J. (2015). Why write about videogames? Thumbsticks. [online] Available at: http://www.thumbsticks.com/why-write-about-videogames/ [Accessed 17 Jul. 2015].

Sweeting, J. (2014). The heroes we need, but not the heroes we deserve. Thumbsticks. [online] Available at: http://www.thumbsticks.com/the-heroes-we-need-but-not-the-heroes-we-deserve/ [Accessed 17 Jul. 2015].

Sweeting, J. (2014). Violence doesn’t have to be the answer. Thumbsticks. [online] Available at: http://www.thumbsticks.com/violence-doesnt-have-to-be-the-answer/ [Accessed 17 Jul. 2015].

Sweeting, J. (2014). Spec Ops: The Line and the Future of Shooters. Thumbsticks. [online] Available at: http://www.thumbsticks.com/ spec-ops-the-line-future-of-shooters/[Accessed 17 Jul. 2015].

Sweeting, J. (2014). What happened to the modern military shooter? Thumbsticks. [online] Available at: http://www.thumbsticks.com/happened-modern-military-shooter/ [Accessed 17 Jul. 2015].

Sweeting, J. (2014). Is the term Videogame becoming restrictive? Thumbsticks. [online] Available at: http://www.thumbsticks.com/term-videogame-restrictive/ [Accessed 17 Jul. 2015].

Tadaoka, K. (2014). The Embodied Mind, Contemplation and Forms of Mediation. In: M. Punt and M. Blassnigg, ed., Media Archaeology and Cognition – Transtechnology Reader 2014/15, Plymouth: Transtechnology Research, pp. 182-187.

Woodward, M. (2015). ‘A Shifting Sense of Human Scale: Tracing Deep Time Aspects of Human Depiction’, Quaternary International [In Press].

External events/participation:

Blassnigg, M. (2015). The Parallel Track of Media and Cognition: Transdisciplinary Encounters. Cognitive Futures 2015 — Forging Futures from the Past: History and Cognition, Oxford University, 13-15 April.

Doove, E. (2015). The Opaque Lens: Affect and Subversion in Media Practices. Transtechnology Research Seminar Series, University of Plymouth, Plymouth, 18 February 2015

Doove, E. (2014). Curatorial concept ‘Vapour’ as participation in The Theoretical Show, instigated by EFA Elizabeth Foundation for the Arts, New York, 14 November – 20 December 2014. Followed by setting up of independent blog to communicate the scope of the show to a wider audience – https://theoreticalshow.wordpress.com

Drayson, H. 2015. The Island of Nova Santos, Visualisation Performance, 9th – 11th and 16th  – 18th April 2015. Phaneromenis 70, Phaneromeni area, Old Historical Centre, Nicosia, and Home 4 Cooperation (H4C), Markou Drakou 28, Nicosia. While resident as Nicosia Municipal Arts Centre, Cyprus

Drayson, H. 2015. Nicosia City Fortunes. Illustration and Performance (various venues) in Nicosia, Cyprus, as part of NiMAC (Nicosia Municipal Arts Center) Residency.

Drayson, H. 2015. “Take me on a trip to Cyprus and you could win a dream holiday”. Performance, A+E Happenings. February 2015, Bristol

Edmonds, G. (2015). Bugatti, Ferrari & Schnelle Flitzer, Ein Abend mit dem Filmer Guy Edmonds – Introduction and screening of 16mm film ‘Bugatti – Le Terrain Anglais’, at Lichtspiel, Bern, 7 June 2015.

Edmonds, G. (2015). Guest of Europe on Screen, daily talks and discussions about film preservation and restoration, Jakarta, Indonesia, 4-8 May 2015. Various locations: Erasmus Huis, GoetheHaus, Institut Francais, Universitas Multimedia Nusantara.

Edmonds, G. (2015). The Ascetic Image: Technologies of Disavowal. With Udo Hudelmaier, Jane Hutchinson, Abigail Jackson, Nick Peres. Transtechnology Research Seminar Series, University of Plymouth, Plymouth, UK, 18 March 2015.

Edmonds, G. (2015). Ballet Mécanique – from BW to (hand) colour, a restoration history. Colour in Film with the British Film Institute and the Colour Group (GB), City University, London, 4 February 2015.

Edmonds, G. (2015). Technophilia: Technologies for the Corrupted Body. With Agatha Haines. Transtechnology research Seminar Series, University of Plymouth, Plymouth, UK, 21 January 2015.

Edmonds, G. (2014). Invited speaker for Moving Image Archive Studies students at UCLA, Los Angeles, 2 December 2014.

Griffin, J. (2015). Art-Life-Technology symposium [invited speaker], (organised by FOA-Flux, Srishti Institute of Art, Design and technology and swissnex), Bangalore, 18 April 2015.

Griffin, J. (2015). Ejercicios para ver la Órbita Geostacionaria [print] Arte en Órbita, Centro de Arte Contemporáneo, Quito, Ecuador.

Haines, A. (2015). Workshop ‘Transitive Wearables’ as part of Copenhagen Institute of interaction design workshop, Copenhagen, 10 – 13 February 2015.

Haines, A. (2015). Workshop ‘Understanding the human object: If you prick us do we not bleed?’ as part of Research Through Design conference, Microsoft Research Lab, Cambridge, 25 – 27 March 2015.

Haines, A. (2015). Understanding the Human Object: if you prick us do we not bleed? Research Through Design conference, Microsoft Research Lab, Cambridge, 25 – 27 March 2015.

Haines, A. (2015). Artwork ‘Parasitic Prosthesis’ in exhibition Technophilia and the Corrupt Body, Menier Gallery, London, 2-7 March 2015.

Haines, A. (2014). Artwork ‘Parasitic Prosthesis’ in exhibition Last Breath, Clearlake Hotel, London, 4 December 2014.

Haines, A. (2014). Are two heads better than one? TEDX Maastricht, Theater aan het Vrijthof, Maastricht, 14 October 2014.

Haines, A. (2014). Are two heads better than one? TEDX Maastricht, Brightlands Chemelot Campus, Maastricht, 13 October 2014.

Haines, A. (2014). Rewiring the Body. Open City Docs Fest, Rich Pickings event, London, 17 – 22 June 2014.

Haines, A. (2014). Workshop ‘Being Human’ as part of Designing The Future Workshop, Chatham Historic Dockyard, in conjunction with Helen Hamyn Center and fund for the arts 16-18 June 2014.

Haines, A. (2014). Film ‘Electrocardium stabilis’ screened in Bio:Fiction Film Festival runner up, Linz, 23 – 25 October 2014 and as part of Bio:Fiction, Waldkraiburg, Germany, 28 November 2014; Ljubljana, Slovenia, 29 January 2015; Helsinki, Finland, 22 May 2015.

Haines, A. (2014). Dei ex Machina. Graphic Design Festival Breda, Retweet, Breda, 22 – 24 April 2014.

Haines, A. (2014). Artwork ‘Transfigurations’ in CyberArts, Ars Electronica, Linz, 4 – 14 September 2014 and Honorable Mention September 4th to September 14th.

Haines, A. (2014). Exhibition ‘Last Breath’ – A rented by the hour production 2014 Clearlake Hotel Kensington, London – One Night exhibition event December 4th.

Haines, A. (2014). ‘Bio:Fiction 2014 – Film Festival’. Bio:Fiction in Vienna – Film screened October 23rd to October 25th.

Knight , J. (2015). Workshop ‘Lift Off!’ An Emulsion Lift Workshop. Hosted by CineStar at Back Lane West, Redruth, Cornwall. 6 -7 June 2015, http://www.cinestar.org.uk/lift-off-emulsion-lift-workshop.html

Knight , J. (2015). Workshop ‘Loop the Loop’, Redruth Library. Drawing and writing on film workshops, Redruth, Cornwall. 5-7 March 2015, http://www.loopcornwall.com/loop-the-loop-redruth-library.html

Knight, J, (2014). A Media-Archaeology of Art or an Art of Media-Archaeology. Art Matters International Conference: Reconfiguring the relationship between art and its materiality. Universitat de Barcelona, 11-12 December 2014.

Knight, J. (2014). Workshop Loop the Loop, St Ives Library. Drawing and writing on film workshops, St Ives, Cornwall. 2 -14 June 2014. http://www.loopcornwall.com/loop-the-loop-st-ives-library.html

Knight, J. (2014). Curated film event Silence at the Library. Cinestar in participation with no.w.here, London. St Ives Library, Cornwall. 2-14 June 2014. http://www.loopcornwall.com/artists-silence-at-the-library.html

Knight, J. 2014. Royal Greenwich Museums “Ways of Seeing” conference, July 2015.

Op den Kamp, C. (2015). The Film Archive as a Birthplace. Found Footage, Legal Provenance and the “Aesthetics of Access”, NECS – European Network for Cinema and Media Studies, Annual Conference, University of Łódź, PL, 19 June

Op den Kamp, C. (2015). Guest Lecture, ‘Intro to Film Restoration and Some ‘”Hybrid” DIASTOR Case Studies, Bologna Workshop, University of Zurich, CH, 11 June

Op den Kamp, C. (2015). Testing “Digital Desmet”, The Colour Fantastic: Chromatic Worlds of Silent Cinema, EYE Film Institute Netherlands, NL, 31 March

Op den Kamp, C. (2015). Invited Lecture, ‘The Film Archive as a Birthplace’, Keeping Within the Lines: Legal and Creative Approaches to Copyright in Art and Design Archives, London Metropolitan Archives, UK, 13 March

Op den Kamp, C. (2014). The Greatest Films Never Seen: The Film Archive, Copyright Ownership and the Film Historical Narrative. Jahrestagung der Gesellschaft für Medienwissenschaft (GfM) Medien|Recht, Philipps-Universität Marburg, DE, 3 October

Op den Kamp, C. (2014). The Process of Restoring a Dufaycolor Film Title as a Model for the DIASTOR Research Project. FIAF Summer School, Il Cinema Ritrovato, Bologna, IT, 2 July

Op den Kamp, C. (2014). KTI DIASTOR Research Project Case Studies: An Overview. DIASTOR Workshop, Zurich, CH, 6 June

Op den Kamp, C. (2014). KTI DIASTOR Research Project Case Study Parures. ARRI Archive Workshop, Munich, DE, 3 June

Op den Kamp, C. (2014). Guest Lecture, ‘Intro to Film Restoration and Some “Hybrid” DIASTOR Case Studies’, Bologna Workshop, University of Zurich, CH, 23 May

Peres, N. (2015).  Presentation at the ASPiH (Association for Simulated Practice in Healthcare) Annual Conference: Tech room Presentation; Virtual Reality experiences from the patient perspective, November.

Peres, N. (2015). Presentation: Inside Government; Raising the Quality of Hospital Standards Forum.  Primary Case Study Presentation: The Role of Innovative Technology in Helping to Raise Standards, October.

Punt, M.  (2015). Keynote.  The Roots of Curiosity, Champalimaud Centre for Research into the Unknown. Lisbon.

Stamboliev, E. (2015). Shabbat. In: S. Zielinski, P. Weibel and D. Irrgang, ed., Flusseriana. Minneapolis: Univocal Publishing.

Stamboliev, E. (2015). Dwelling. In: S. Zielinski, P. Weibel and D. Irrgang, ed., Flusseriana. Minneapolis: Univocal Publishing.

Stamboliev, E. (2014). On Wittmann. On Münsterberg. On Cinema. In: M.Punt and M. Blassnigg, ed., Media Archaeology and Cognition – Transtechnology Reader 2014/15, Plymouth: Transtechnology Research, pp. 136-138.

Woodward, M. (2014) Paper-Presentation: ‘From Interaction to Correspondence: An Archaeology of Visual Style’, TAG 2014, University of Manchester, 17-20 Dec.