Using a range of practice and theory based methods the group is concerned to make apparent evidence of human desire and cultural imperatives as they are manifested in the way that science and technology is practiced, innovated by entrepreneurs and interpreted by its users. Informed by transdisciplinary approaches, current research engages with burning questions in Film and Cinema Studies, Media Philosophy, Digital Media, History of Science and Technology, Media Anthropology, Design Theory, Interaction Design and Human Cognition.
Many doctoral research projects begin with a conversation, and if you are considering a research degree there are a number of ways of engaging with us in order to find out more about the process and developing your application. Our monthly seminar sessions are open to the public. We also encourage potential applicants to contact us about making a visit to our offices for a meeting and the opportunity to meet other researchers in the group.
For further information prospective Ph.D. candidates are advised to contact Prof. dr. Michael Punt (email@example.com) or Dr Hannah Drayson (firstname.lastname@example.org) in the first instance.
All supervisory teams include members with substantial track records of practice in the arts, design or filmmaking who also have significant publishing profiles in at least one other academic discipline. Previous students have held full doctoral research grants from AHRC, EPSRC, Plymouth University and Brazilian and Portuguese Research Councils. Current researchers are funded as part of the Marie-Curie funded ITN CogNovo, and 3D3 consortium. Transtechnology Research also holds and oversees doctoral and post-doctoral research grants from the EU.
Completed PhD Theses
Begum, T. (2015) A Postcolonial Critique of Industrial Design
Cachão, R. (2015) An Ontology of Space: Methodological Recursiveness and the Diagram
Griffin, J. (2014) Experience and Viewpoints in the Social Domain of Space Technology
Op den Kamp, C. (2015) The Go-Between. The Film Archive as a Mediator Between Copyright and Film Historiography
Rocha, M. (2015) New Routes to HCI – A transdisciplinary approach
Thompson, S. (2008) Artefacts, Technicity and Humanisation: Industrial Design and the Problem of Anoetic Technologies
Vines, J. (2011) Aging Futures: Towards: Cognitively Inclusive Digital Media Products
Woodward, M. (2014 ) The Multidimensional Depth of the Image: Body, Environment, Artefact
Current Doctoral Research Projects
Doove, E. (2011-) Exploring the Curatorial as Creative Act
Edmonds, G. (2014-) Early Cinema and Cognitive Creativity
Egbe, A. (2011-) Notions on a radical moving image archive practice as a problematic
Haines, A. (2014-) Ideas exchange: understanding the human object
Hutchinson, J. (2014-) Not me – not not me: concerning the mediation of dissolving actualities and performing self
Jackson, A. (2014-) Creative balance between expressive movement and technology: for the autistic child
Knight, J. (2012-) The ‘frisson event’ a unified experience of simultaneity
Massey, L. (2011-) The Possibility of Telepathy in Musical Improvisation
Peres, N. (2014-) Immersive cinematics in medical simulation: interfaces for the patient voice
Stansbie, J. (2014-) Exploring the ‘turning point’ between the boundaries of illness and non-illness
Sweeting, J. (2015-) The impact of technological constructivism on representation in videogames
Tadaoka, K. (2014-) Contemplation and Time