Florence Martellini
Transtechnology Research,
Room B321 Portland Square,
University of Plymouth,
Drake Circus,
Plymouth PL48AA
martellini@btinternet.com
Searching inside is finding outside.
2007, F.Martellini
Research Interest
Florence’s research interest lies in how visual arts can contribute to the multidisciplinary study of consciousness, more specifically, it explores how art practices suggest quite different ways to respond to nature. Taking part in the PhD research programme at the Transtechnology Research Centre, Florence will test the hypothesis that visual art can be understood as trace of consciousness.
Her research project builds on her Master’s thesis, which mapped a network of inter-related determinants including the artist’s consciousness which compares the artwork and its making process to a synergetic whole. It identified the importance of examining the creative processes and artworks of Western artists within an implicate order (Bohm) and called for further research into the relationship between art and consciousness in an intercultural perspective.
Proceeding from the view of consciousness associated with the Centre of Consciousness Studies (CCS) in Arizona which has since its inception included the practice and insights of art and artists, her doctoral project will examine Shona stone sculptures from Zimbabwe to examine to what extent the CCS approach to the study of consciousness is relevant to this hypothesis. It will ask to what extent can individual consciousness be traced as visible evidence in the creative practices of Shona artists. The project is expected to enrich our understanding of particular forms of art practice in a wider context and ultimately extend boundaries of thinking about consciousness studies as they apply to the arts.
Previous Experience
Florence has directed high level of transnational research in the field of art, multimedia industry and education as well as government agencies. This has been complemented by her Master thesis and undergraduate studies in art history, which also have extended her familiarity with African art. Her on-going professional engagement with the field includes her position with Leonardo, Independent Ballet Wales and the coordination of art projects. A wide range of experiences developed her trans-disciplinary and critical skills and interest in cultural traditions.
Languages: French (mother tongue), English, Italian, Spanish